Through installations, sound pieces, performances, sculptures, or editions, Flore Saunois explores the materiality of the language. Because naming it makes it real, she’s interested in the tipping point between the appearance and the disappearance of things. Attempting to suspend the transience of an object, an event, or a phenomenon, tracing the outline of what’s possible, are as many ways of questioning, in reverse, the very condition of their existence. Rereading the principles of conceptual art, her works inspect mischievously the gap between trivial and extraordinary, the piddling as a source of latent poetry.
Combien de km/h
What is on the other side of gold is the same as what is on this side
Plan de visite