AURILIAN

Studio:
1 place de Lorette
Fr-13002 Marseille

BIOGRAPHY

 

Aurilian studied at the Gerrit Rietveld Academy (Amsterdam) and Cooper Union School of Art (New York). In his work, he investigates vulnerable and fragile states through installations, texts, performances, drawings and sound compositions.  In 2018, he created the editorial platform “i apologize”.

He was an artist in residency at Triangle – Astérides (Marseille), Center for Contemporary Arts & GSS (Glasgow), and currently is a resident at the City Studios Programme in Marseille. His work has been presented at Triangle – Astérides (Marseille), Sissi Club (Marseille), CAPC (Bordeaux), CCA (Glasgow), Montez Press Radio (New York), Cooper Union (New York), Belsunce Projects (Marseille), Centre International de Poésie (Marseille), Tonus (Paris), Haus Wien (Vienna).

Born in 1992. Lives and works in Marseille.

Ranging from text and drawing to installation and performance, Aurilian’s work creates perceptive environments that are traversed by disorientation. Amidst a sense of unfolding desire and a descent towards disorder, implied bodies blend with spilt fluids that soil the supports they are in contact with. Without being enunciated, Aurilian’s words are direct, raw, and organic, invading the walls or mixing with slabs and rusty cables adorned with fragile salt crystals, which are both a corrosive mineral and a symbol of purification and, in this way, incarnate the quintessence of oppositions that is at the heart of Aurilian’s work.

 

Inhabited by the bringing together of contradictory forces, Aurilian’s work is the fruit of intertwining paradoxes; fragility gives birth to a language permeated with affect, with a vitality from which emerge sounds, words, and forms that are written, performed, drawn or sculpted. Revendicating the power of vulnerability and affirming the centrality of intimacy, Aurilian powerfully expresses the creative potential of instable moments, where states of emotional weakness enable the imagining of a future in which new ways of existing are made possible, all whilst resisting the normative demands of the outside world.

 

Camille Ramanana-Rahary

“Grow”, installation, Salt crystals, steel, earth, lime, ceramics, cable clamps, melted tin, 

Exhibition Jaimes, 2022, Triangle-Astérides, centre d’art contemporain, Marseille. Photo : Aurélien Mole

 “Grow”, installation, Salt crystals, steel, earth, lime, ceramics, cable clamps, melted tin, 

Exhibition Jaimes, 2022, Triangle-Astérides, centre d’art contemporain, Marseille. Photo : Aurélien Mole

“Grow”, installation, Salt crystals, steel, earth, lime, ceramics, cable clamps, melted tin, 

Exhibition Jaimes, 2022, Triangle-Astérides, centre d’art contemporain, Marseille. Photo : Aurélien Mole

 “Loose Compass”, performance, CAPC musée d’art contemporain Bordeaux, 2022. Photo : Arthur Pequin

Intrication, engagement”, Etching on zinc, Paper: 24x30cm / Image: 15x20cm, 2022, production Sissi Club

 “Swallow” & “Scatter”, sea water, salt cristals, steel, 2021, Exhibition “the Moonfish Club”, CAPC musée d’art contemporain Bordeaux. Photo : Arthur Pequin

” To the spirits that stole the light of five hundred suns”, intervention in the studio, summer 2021, Marseille